Arpeggiator pad · qwen3-coder-next
Using the pre-provided tone.min.js (global Tone), build a clickable pentatonic pad grid that triggers a synth voice with reverb, plus a play/stop button that runs an arpeggiator sequence at an adjustable tempo. All sound synthesized, no audio files.
transcript · 12 messages
Using the pre-provided tone.min.js (global Tone), build a clickable pentatonic pad grid that triggers a synth voice with reverb, plus a play/stop button that runs an arpeggiator sequence at an adjustable tempo. All sound synthesized, no audio files.
{"path":"/tmp/ws/tone.min.js","limit":20}/*! For license information please see Tone.js.LICENSE.txt */ [Showing lines 1-1 of 3 (50.0KB limit). Use offset=2 to continue.]
{"command":"ls -la /tmp/ws/"}total 344 drwxr-sr-x. 2 node node 25 Aug 1 19:40 . drwxrwsrwx. 3 root node 16 Aug 1 19:40 .. -rw-r--r--. 1 node node 349169 Aug 1 19:40 tone.min.js
/tmp/ws/index.html (13934 bytes)Successfully wrote 13934 bytes to /tmp/ws/index.html
/tmp/ws/index.html (14403 bytes)Successfully wrote 14403 bytes to /tmp/ws/index.html
{"command":"ls -la /tmp/ws/index.html"}-rw-r--r--. 1 node node 14407 Aug 1 19:41 /tmp/ws/index.html
Done. Created `/tmp/ws/index.html` with: - **9 pentatonic synth pads** (C minor pentatonic) with hover/active states - **Synth voice** using Tone.js PolySynth with triangle oscillator, filter envelope, and reverb/delay effects - **Play/Stop button** that toggles an arpeggiator sequence - **Tempo slider** (60-240 BPM) to control arpeggiator speed - **Visualizer bars** that animate on each note trigger - **Click-to-start overlay** for browser audio policy compliance - Fully self-contained with no external resources
TAKE IT TO CODE
A single self-contained HTML file — copy it and open in any browser, or reuse the prompt with your own pi-agent run.
RUN
EVALUATION
Click reveals pentatonic pad grid with play/tempo controls; UI looks clean and functional but keyboard/scroll inputs have no effect.
Vision grade · anthropic/claude-sonnet-5
MEASUREMENTS
Raw readings from the capture, not a verdict — the grade above is the only judgement. Percentages are how much of the screen changed; the measure under-reports sparse motion on a dark background.